SoulCollage®: Feminine Freedom
In my SoulCollage® cards, I often find myself working in certain colors much more than others. Many of my cards are purple, although I personally don't wear purple often. The other colors I use a lot are red and black together.
I'm not a color analyst or symbolist, at least not consciously. I find purple to be a mysterious color, but I know this color often connotes both nobility and spirituality. To me it has always meant freedom.
Using SoulCollage terminology, I am the one who often feels stifled, shy, railed in, particularly about my body--largely because of my own fears and more recently because of the limitations of age. I was the one who was always chosen last for sports teams and sat in the corner at dances because I was simply terrorized I'd be discovered as a klutz. I am the one who always needed a drink or two to really relax enough in public to dance decently. My husband and I often danced; he was a great dancer but I was too self-conscious. I am the one, when newly separated and divorced more than two decades ago, would turn up the stereo at home blasting my favorite rock music and dance until I dropped--alone. I found freedom in the dancing--and I haven't done that for a long, long time.
I am the one who then loved Mariane Athey-Levy's Movement Expression and used to attend her Santa Monica Friday evening classes in the 1990s. The dance studio was darkened and people of every age gathered and we moved, each in our own rhythm, getting used to our bodies. And then I discovered Gabrielle Roth's method, which I assume Movement Expression came from. I often danced to my video of "Sweat Your Prayers." But, I am also one who tires of the discipline of such classes and Santa Monica was so far. And dancing alone at home gets old after a while.
And now I am the one who hasn't danced in ever so long, alone or in a ballroom or studio. I am the one who feels sad that I have reverted to the woman who is no longer at home in my body.
I remember leading a Progoff National Intensive Journal workshop long ago where "Dialogue With the Body" was one of the exercises. When people read back, I was so deeply moved, but I particularly remember a woman in a wheelchair who wrote about the dancer she once had been.
I'm not even going to ask this card a question because I just want to prop it up next to my journal and next week I'll see where it leads me. It is really pulling at me and I'm just too weary right now to be insightful.
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